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: Filmmakers frequently critique political corruption, bureaucracy, and systemic exploitation.

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: The 1970s and 1980s saw the rise of avant-garde parallel cinema led by visionaries like Adoor Gopalakrishnan and G. Aravindan. Films like Swayamvaram (1972) rejected commercial tropes, focusing on minimalist storytelling, deep psychological exploration, and harsh social realities. 2. The Cultural Pillars: Literacy, Politics, and Satire : Filmmakers frequently critique political corruption

: Formally beginning with Vigathakumaran (1928), directed by J.C. Daniel , the industry immediately diverged from the "devotional" trend of other Indian regions to focus on social themes. focusing on minimalist storytelling