Picture a study lined with leather-bound books, the air thick with the scent of cedar and aged paper. The floor is cold marble. On it kneels the naked submissive. And standing over him, adjusting his cufflinks, is Francois Gay.
The clothed figure in Gay’s work is never a brute. He is a connoisseur . He wears tweed, tailored trousers, and leather shoes. He holds a cigarette, a glass of wine, or a measuring tape. There is a distinct implication of or inspection . CMNM Monsieur Francois Gay