Argo is notable for its strict adherence to the visual aesthetic of the late 1970s. Cinematographer Rodrigo Prieto used 35mm film and intentionally cropped the images during post-production to mimic the grainy, textured look of media from that era. The film's editing plays a crucial role in its pacing, frequently cutting between the bureaucratic stagnation in Washington, the showbiz glitz of Los Angeles, and the claustrophobic dread in Tehran.
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